With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Brandon Cronenberg's twisted third feature intrigues and disturbs but can't find anywhere interesting to take its best ideas
Writer-director Robert Eggers' third feature is his best work yet, a delirious, miraculous fever dream about the ecstasy of revenge
This fourth entry in the MonsterVerse delivers on the promise of its iconic bout, though is let down by a generic script and dull humans
Tessa Thompson and Ruth Negga are friends torn between two worlds in Rebecca Hall's directorial debut, set in 1920s Harlem