
Brandon Cronenberg's twisted third feature intrigues and disturbs but can't find anywhere interesting to take its best ideas
Writer-director Robert Eggers' third feature is his best work yet, a delirious, miraculous fever dream about the ecstasy of revenge
This fourth entry in the MonsterVerse delivers on the promise of its iconic bout, though is let down by a generic script and dull humans
Tessa Thompson and Ruth Negga are friends torn between two worlds in Rebecca Hall's directorial debut, set in 1920s Harlem