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Maggie Q
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Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
The Adults review – idiosyncratic comedy-drama about the cult of siblingness
Dustin Guy Defa's initially off-putting film eventually blossoms into a genuinely moving study of family in all its weirdness
She Came to Me review – bizarrely watchable dramedy struggles to find the right note
Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer
V/H/S/99 review – inconsistent but often inspired horror hodgepodge
The latest entry in the anthology franchise fails to capture what's great about the series, though two tales make it worthwhile for fans
Piaffe review – a greatly seductive, bona fide cinematic pleasure
Ann Oren's sexy and imaginative debut feature is a delightful, sensual tale about surrendering to artistic and bodily instincts
Downton Abbey: A New Era review – a predictable but sumptuous sequel
Julian Fellowes plays the expected hits in this soapy and sweet second movie spin-off, set on the stunning French Riviera
Every Roland Emmerich Film, Ranked
To coincide with the release of Moonfall, Rafaela Sales Ross looks back on the CG-obsessed director's explosive canon...
Freshman Year review – almost subversive college days rom-com
Cooper Raiff proves he's a filmmaker to watch with this neat debut, but a strange ending undoes so much of what makes it interesting
The Lost Daughter review – Maggie Gyllenhaal’s ambitious debut is striking and sour
The actor-turned-director makes quite the impression with a messy but highly atmospheric adaptation of the Elena Ferrante novel
Worth review – predictable 9/11 drama fails to dig deeper
Michael Keaton and Amy Ryan are on good form in this awards-y true drama, but the film winds up feeling a bit like Spotlight lite