
Netflix's freediving doc features some astonishing footage of terrifying ocean descents, but its storytelling feels oddly cynical

The actor is on excellent form as the unsung 18th century virtuoso, but director Stephen Williams' uneven film can't quite keep time

Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there

The new nightmare from the Midsommar director is alternatively intense, chilling, and anxious, though is let down by a laggy middle

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer

As Mark Jenkin's folk horror Enys Men arrives in UK cinemas, Steph Green recommends further viewing in this eerie pocket of cinema

Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills
James Cameron's belated follow-up to his 2009 smash hit excels in its action sequences but is as narratively soggy as the original

Steve Coogan and Stephen Frears's latest offering lacks the wit and spark to bring an often mundane true story to exciting life