Netflix's freediving doc features some astonishing footage of terrifying ocean descents, but its storytelling feels oddly cynical
The actor is on excellent form as the unsung 18th century virtuoso, but director Stephen Williams' uneven film can't quite keep time
Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there
The new nightmare from the Midsommar director is alternatively intense, chilling, and anxious, though is let down by a laggy middle
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer
As Mark Jenkin's folk horror Enys Men arrives in UK cinemas, Steph Green recommends further viewing in this eerie pocket of cinema
Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills
James Cameron's belated follow-up to his 2009 smash hit excels in its action sequences but is as narratively soggy as the original
Steve Coogan and Stephen Frears's latest offering lacks the wit and spark to bring an often mundane true story to exciting life