With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Terrible jokes, cringe-worthy performances, and jaw-droppingly ugly VFX work make for a truly wretched blockbuster experience
Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again
The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through
Paul B. Preciado's metatextual grappling with Virginia Woolf's novel is a playful and moving exploration of gender identity
Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer
As the month-long celebration kicks off again, Steph Green offers a pathway into the most morally murky of all movie genres...
Ana de Armas is well-cast as the Hollywood icon in the Australian director's beautifully made but repetitive and exhausting film
Where the director's 2015 Mad Max sequel had a boundless, thrilling energy, this story about stories barely has any pep in its step
Gabriel Byrne gives a solid lead performance in this tale of a terminally ill philanderer, but the film around him often grates