BY

Ben Younger

Related Reviews/Features

Repertory Rundown: What to Watch in London This Week, From Douglas Sirk to Duel

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

The Graduates review – quiet school shooting drama is searingly powerful

Hannah Peterson's deft, heartbreaking debut film explores trauma through the perspectives of three people touched by tragedy

Amanda review – hints of Lanthimos in sharply funny Italian debut

Carolina Cavalli's film about a friendless young woman brilliantly captures the anxiety and social ineptitude of the post-COVID youth

Four Daughters review – complex but flawed act of cinematic therapy

Kaouther Ben Hania's immersive doc finds potent truths in its re-enactments, but loses focus as it gradually abandons its premise

Peter Pan & Wendy review – serviceable but just a bit pointless retread of a classic

David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure

The Age of Innocence review – Scorsese’s “violent” period drama is a thing of lavish excellence

The director's 1993 take on Wharton's novel positions upper class New York as a cutthroat world equal to those of his gangster films

Plan 75 review – uneven exploration of ageism brings the future to the present

An elderly euthanasia scheme drives the narrative of this intriguing but erratically paced effort from Japanese filmmaker Chie Hayakawa

She is Love review – she is not very interesting

Haley Bennett, Sam Riley and Marisa Abela star in an improvised three-hander that can't sustain our curiosity over its short runtime

25 Best Films of 2022

As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters

10 Must-See Films at BFI London Film Festival 2022

As the latest edition of the festival returns to the capital, Ella Kemp highlights some of this year's most essential features