
Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration

As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters

To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...

With the year at the halfway point, our writers choose their favourite films, from Bollywood bangers to belated blockbusters

Ruben Östlund's outrageous follow-up to The Square is undeniably entertaining, but its ideas about wealth feel shallow and obvious

With just a few days to go, we asked our regular contributors for their favourite nominees, from Dune to Drive My Car

Bill Nighy gives one of his best performances in this beautiful and emotionally ripe redo of Akira Kurosawa's 1952 classic Ikiru

Lana Wachowski returns with a deliriously self-aware fourth entry in the groundbreaking series that both fascinates and frustrates

Céline Sciamma's latest Petite Maman joins a host of strange and otherworldly features about doubles, look-alikes and duplicates

Tom Hardy returns as the symbiotic superhero in a disposable follow-up that can't capture the weird appeal of the original