The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
Elene Naveriani's stylish third feature tells the story of a 48-year-old woman who begins to break down the barriers in her life
Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war
The climatic entry in the director's seminal film series, released months before his death, is the ultimate expression of his viewpoint
The overlooked middle child of Kieślowski's seminal three-parter blends twisted humour, erratic drama and dysfunctional romance
Thirty years on, the renowned Polish filmmaker's tragic trilogy-opener proves every bit as masterful as its brand new 4K re-release
Japanese filmmaker Hirokazu Kore-eda takes a lighter look at a familiar theme with this heart-melting story of makeshift family
Sarvnik Kaur's gorgeously shot and atmospheric documentary hones in on a fracturing friendship with skill and generosity
This sombre and surprisingly stylish debut from British filmmaker Adura Onashile skilfully explores notions of family and seperation
The Mad Men star gives a refreshingly funny turn in writer-director Greg Mottola’s reboot of the Pink Panther-inspired detective series
So Yun Um’s highly personal documentary probes a specific, cinematic branch of American identity to mixed results
Film sets are made into fascistic breeding grounds for chaos in Iranian filmmaker Houman Seyedi’s bleakly funny meta-movie
