
Amanda review – hints of Lanthimos in sharply funny Italian debut
Carolina Cavalli's film about a friendless young woman brilliantly captures the anxiety and social ineptitude of the post-COVID youth
Favourite films: Apocalypse Now, The Social Network, No Country For Old Men
Favourite actors: Florence Pugh, Timothée Chalamet, Willem Dafoe
Favourite filmmakers: Paul Thomas Anderson, Quentin Tarantino, Christopher Nolan
Carolina Cavalli's film about a friendless young woman brilliantly captures the anxiety and social ineptitude of the post-COVID youth
Benjamin Millepied's debut film gets some heat out of Paul Mescal and Melissa Barrera but feels like an over-extended music video
Robert Rodriguez's diverting but hollow latest starts at "super-hypnotists who rob banks" and only gets more ludicrous from there
Lacking the magic or beauty of the original while interminably expanding the runtime, Rob Marshall's redo is a punishing watch
Kelly Fremon Craig's take on the '70s coming-of-age classic strikes an unerring balance between laughs, giddiness, and poignancy
Though Jason Momoa makes for an excellent villain, this latest chapter winds up as mostly empty and unsatisfying bombast
The Guard brothers' '70s-set second feature uses the styles of the decade to set itself apart from the Brit-thriller pack
This documentary is inevitably filled with sadness, but also packed with laughs in the company of one of Hollywood's funniest actors
Maryam Touzani's film is a slow, methodical thing, at its best when highlighting the specifics of an unorthodox relationship
Lisa Cortes's documentary paints an impressively complete picture of its remarkable subject, but lacks his magisterial creative verve
David Lowery brings his earthy sensibilities to another remake in a muddled but thematically interesting swashbuckling adventure
Though the acting and plotting have not aged well, this is still a fascinating time capsule, balancing nostalgia with progressivism