The Virgin Suicides review – Sofia Coppola’s enigmatic debut is blissfully strange and sad
Now back in cinemas in 4K, the director's first film, based on Jeffrey Eugenides' novel, remains brilliantly elusive and challenging
Now back in cinemas in 4K, the director's first film, based on Jeffrey Eugenides' novel, remains brilliantly elusive and challenging
British-Moroccan director Fyzal Boulifa's second film tips its hat to the grand Hollywood tradition, but this mother-son tale feels slight
Writer-director Catherine Corsini helms an uneven drama about a woman who returns to Corsica with her two teenage daughters
Known for her taboo erotic dramas, the director's remake of 2019’s Queen of Hearts fails to make up its mind on what it wants to be
Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn
In Molly Manning Walker's strong debut, a trip to Malia becomes a growing nightmare for one girl hell-bent on losing her virginity
Martin Scorsese's portrait of a toxic boxer remains a triumph of filmmaking verve, though its notions of masculinity grow tiresome
This self-aware and surprisingly charming take on the iconic tabletop game makes for gleefully geeky viewing
Franz Rogowski plays a Legionnaire whose path crosses with a Nigerian guerrilla fighter in a film of pure vigour and vibes
Jesse Eisenberg is brilliantly cast against type in a fascinating, flawed thriller with too many moving parts to do its subject justice
James Cameron's epic has lost none of its force 25 years later, reaffirming its status as a technical and emotional powerhouse
William Wyler's iconic 1953 rom-com, starring Audrey Hepburn and Gregory Peck, returns to theatres for its 70th anniversary
As Mark Jenkin's folk horror Enys Men arrives in UK cinemas, Steph Green recommends further viewing in this eerie pocket of cinema
Allison Williams plays the inventor of a murderous AI doll in a resoundingly stupid but amusingly camp offering from Blumhouse
Writer-director Kyle Edward Ball's microbudget debut is a terrifying exploration of the intersection between nostalgia and nightmares
As the month-long celebration kicks off again, Steph Green offers a pathway into the most morally murky of all movie genres...
Maria Schrader's powerfully-acted film shows how journalistic integrity and female solidarity sparked a global movement
Emma Mackey gives a committed turn as the Wuthering Heights author, but it's not enough to save Frances O’Connor's dour film
Florence Pugh is a 19th century nurse called to investigate a strange happening in a film packed with interesting details but little payoff
Georgia Oakley’s assured and morally complex debut tells the story of a queer teacher living in Thatcher's Britain
Alice Diop's first narrative feature is a heart-stopping moral puzzle, featuring an extraordinary turn from newcomer Kayije Kagame
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
Joel Edgerton stars in the writer-director's third "man in a room" movie in a row, a character study that both confounds and absorbs
Timothée Chalamet and Taylor Russell play a hungry couple in a sweet, sinister road movie about the all-consuming nature of love
The actress gives one of her greatest performances in Todd Field's spiky story of a celebrated composer whose life begins to unravel
Directors Julie Ha and Eugene Yi's sensitive documentary tells the story of a Korean man wrongly convicted of a gangland killing
Chemistry between Romain Duris and Emma Mackey just about saves an otherwise ludicrous attempt in historical revisionism
Brad Pitt shines as a hapless assassin in an otherwise exhausting adaptation that thinks it's a lot funnier than it actually is
As the latest take on Persuasion comes to Netflix, Steph Green highlights some of the author's finest screen adaptations to date
Scott Derrickson reteams with his Sinister star Ethan Hawke for an inert and mostly pointless yarn about a masked child catcher
Wim Wenders' beguiling romantic fantasy, now re-released and restored in 4K, follows two angels in search of human connection
Petrov's Flu filmmaker Kirill Serebrennikov tackles the life of Antonina Miliukova in a sprawling, well-acted but repetitive biopic
Blending drama and comedy to mixed effect, Maha Haj explores the Israeli-Palestine conflict through the story of one man's depression
The Dardennes' latest is a bare and brutal slice of social realism about two migrants who pass themselves off as brother and sister
The Phantom Thread star delivers a brilliantly mischievous turn in writer-director Marie Kreutzer’s subversive period drama
Stunning scenery can't save a dull and airless adaptation from co-directors Felix Van Groeningen and Charlotte Vandermeersch
The Martin Eden director's latest, a tender adaptation of an Aleksandr Grin short story, is a film of simple, lyrical pleasures
Terence Davies delivers another immensely personal lament, based on the life of English soldier and war poet Siegfried Sassoon
As Paul Verhoeven's audacious Benedetta lands in cinemas, Steph Green highlights some worthy features about cinematic Sisters...
Writer-director Robert Eggers' third feature is his best work yet, a delirious, miraculous fever dream about the ecstasy of revenge
Isabelle Fuhrman gives a committed turn in Laura Hadaway's debut, but its reliance on tropes means it's more irritating than inspired
Mimi Cave's feature debut explores the hell of modern dating with plenty of wit but is let down by rote plotting and flimsy feminism
Ben Affleck and Ana de Armas are a couple caught in cat-and-mouse games in Adrian Lyne's return to the sultry genre he helped define
To coincide with the release of Cyrano, Steph Green delves into the British director's lush and eclectic filmography...
Zoë Kravitz shines as an anxious tech worker entangled in a corporate conspiracy in this sharp and sprightly throwback
Stacey Gregg’s feature debut is well-acted and boasts a great score, but is let down by a familiar plot that over-explains itself
Despite some bold and interesting visual touches, the Madeline's Madeline director delivers a predictable, trope-heavy adaptation
Céline Sciamma's latest Petite Maman joins a host of strange and otherworldly features about doubles, look-alikes and duplicates
To mark the arrival of The Power of the Dog, Steph Green looks back on the acclaimed New Zealand director's landmark filmography...
Paul Verhoeven's campy takedown of the church is undoubtably entertaining, though some of the meaning is lost the madness
As the BFI launches a season dedicated to the works of the legendary director, Steph Green offers a route into his very British canon...
Julia Ducournau's Palme d’Or-winning sophomore feature is a welcome breath of nerve-shredding, fume-choked air
A shady manservant plans to usurp his employer in Joseph Losey's fascinating and still timely tale of rich vs. poor, now restored in 4K
The actor-turned-director makes quite the impression with a messy but highly atmospheric adaptation of the Elena Ferrante novel
Ana Lily Amirpour's hypnotic third feature could be accused of style over substance, but it's so much fun you're unlikely to care
Jane Campion's first film in twelve years is a dizzying, unpredictable exploration of desire that builds to an unforgettable finale
Oscar Isaac is excellent as an Iraq veteran-turned-gambler in the First Reformed filmmaker's morally queasy revenge tale
As Kenneth Lonergan's egocentric epic nears its 10th anniversary, Steph Green looks back on the film's remarkable lead turn
John Hurt played Quentin Crisp in this subversive 1975 made-for-TV biopic. Steph Green argues its case as an underseen queer classic
The latest from Portrait of a Lady on Fire filmmaker Céline Sciamma is a warm, Miyazaki-like fairytale with a touch of the supernatural
Even die-hard fans of the idiosyncratic South Korean auteur are likely to find this slight and sluggish film patience-testing
Dan Stevens gives a pitch-perfect turn in Maria Schrader's thoughtful comedy, but her film fails to make a lasting impression
Bong Joon-ho's brilliant breakthrough - now re-released in UK cinemas - cleverly subverts the conventions of the serial killer film
Bong Joon-ho's acclaimed 2006 monster movie anticipated a future of fake news and murky "facts." Steph Green explores its relevance in today's pandemic-stricken world