The French Dispatch Trailer Gives Us The Most Wes Anderson-y Film Yet

The Paris-set newspaper caper, starring Bill Murray, Tilda Swinton, and Timothée Chalamet - feels like the filmmaker turned up to 11

Love him or loathe him (and we love him), the arrival of a new Wes Anderson film is a cinematic event that cannot be ignored. Now, six years after his previous live-action foray, The Grand Budapest Hotel, and two years after his stop-motion animated film about dogs in Japan, we're finally treated to the first trailer for The French Dispatch. And let's just say this thing looks to be just about the most Wes Anderson-y movie the man has ever made.

The plot, we already know, “brings to life a collection of stories from the fictional issue of an American magazine published in a fictional 20th-century French city,” and features a miraculous ensemble cast consisting of Tilda Swinton, Saoirse Ronan, Elisabeth Moss, Bill Murray, Willem Dafoe, Benicio Del Toro, Jeffery Wright, Léa Seydoux, Adrien Brody, and – yes – Timothée Chalamet. That's right: basically anyone who's anyone has found their way into this film (and there are too many to list).

The highly-anticipated trailer, a thing of stark beauty in and of itself, gives us a heavily-narrated montage of symmetrically-framed images and sardonic one-liners – some in those familiar pastel colours that Anderson is renowned for, others in gorgeous black-and-white. Bill Murray quips. Léa Seydoux poses. Guns are excessively fired. Most notably, perhaps, there is Timothée Chalamet in a bathtub, towel wrapped around his head, sporting a somewhat questionable excuse for facial hair. The movies!

The French Dispatch will be released in UK cinemas on 28 August.

Other Features

Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Reviews

The Innocent review – 60s-inspired heist movie with an existential twist

In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances

Baato review – Nepal’s past and future collide in an immersive, fraught documentary

A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world

The Beanie Bubble review – a grim new low for the “corporate biopic” genre

With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity

Everybody Loves Jeanne review – thoroughly modern fable of grief, romantic confusion, and climate anxiety

Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat