Pierre Delacroix is a frustrated African American TV writer. He has yet to see any of his concepts go into production. He proposes a blackface minstrel show in protest, but it actually becomes a hit.
Rude, irreverent, stupid and yet cuttingly witty and intelligent, Radu Jude’s Berlin winner is like Brass Eye by way of Slavoj Žižek
The House of Mouse's 60th animated feature is gorgeous to look at, but it's let down by a confusing narrative and forgettable songs
Philip Stevens’ unsettling debut, set on the Lincolnshire coast, tells of a forbidden romance between a mute woman and a Romani man
Reggie Yates' directorial debut, set over the course of a single New Year's Eve in London, is both deeply personal and light as a feather
As the latest edition of the ICA's experimental festival returns to London, we highlight our picks for the most essential features...
Céline Sciamma's latest Petite Maman joins a host of strange and otherworldly features about doubles, look-alikes and duplicates
To mark the arrival of The Power of the Dog, Steph Green looks back on the acclaimed New Zealand director's landmark filmography...
As the 25th edition comes to both cinemas and streaming, we highlight our picks for the most essential features...
