The well-off Smith family has four beautiful daughters. Seventeen-year-old Esther has fallen in love with John, who has just moved in next door. He however, barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transferred to a nice position in New York, which means that the family has to leave St. Louis and the 1903 St. Louis Fair.
The strange new genre of "corporate biopic" gets off to a decent start thanks to a charmingly optimistic turn from Taron Egerton
Sierra Pettengill explores the history of police violence to counter civil unrest, probing the status of images as material memories
Thirty years on, the renowned Polish filmmaker's tragic trilogy-opener proves every bit as masterful as its brand new 4K re-release
Director Saeed Roustayi delivers an ambitious, morally complex thriller that thrives on left-field turns and gritty atmosphere
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
