Set in a small Sicilian village, the story depicts three stages in the life of an avid film lover.
At a time when cinemas are struggling to survive and we've been forced to imagine the possibility of a world without them, this film's reemergence feels particularly resonant.| Read in full: Cinema Paradiso film review We Love Cinema
Letitia Wright stars in Agnieszka Smoczynska's immaculately style, deeply sad account of an infuriating, mind-boggling true injustice
There are undeniable flashes of brilliance in this study of a washed-up lounge singer, but it's also a demandingly grotesque slow-burn
Both a tribute to and lament for the Jewish town of Nasielsk, this painstaking doc explores the powers and limits of film and memory
Kevin Kopacka's meta-natured genre throwback, greatly atmospheric and narratively loose, is never quite what it appears
As the month-long celebration kicks off again, Steph Green offers a pathway into the most morally murky of all movie genres...
The Macedonian-Australian director's bewitching debut feature is a Balkan fairytale that grapples with identity and humanity. Fedor Tot talks to the filmmaker ahead of its UK release
As the latest edition of the festival returns to the capital, Ella Kemp highlights some of this year's most essential features
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
