This prophetic all-American mosaic reveals our national obsession with entertainment and politics. A presidential election is underway, and Replacement Party candidate Hal Philip Walker's election team is rounding up some acts for a fundraiser.
Hide yourself away in the cinema and you will find this is an endlessly generous, funny, and heartbreaking grail of 1970s Hollywood.| Read in full: Nashville film review We Love Cinema
This is the heart of the troubled mid-70s American zeitgeist: angry, sentimental, violent, comic, afraid.The Guardian
Sprawling and meandering, Robert Altman’s 1975 musical mosaic never loses sight of the core conflict between reality and delusion, and how it shapes careers, relationships and political movements.Little White Lies
The strange new genre of "corporate biopic" gets off to a decent start thanks to a charmingly optimistic turn from Taron Egerton
Sierra Pettengill explores the history of police violence to counter civil unrest, probing the status of images as material memories
Thirty years on, the renowned Polish filmmaker's tragic trilogy-opener proves every bit as masterful as its brand new 4K re-release
Director Saeed Roustayi delivers an ambitious, morally complex thriller that thrives on left-field turns and gritty atmosphere
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
