Oscar Krug (Bosworth) is looked upon with suspicion by his neighbors because of his name. When the United States is drawn into the war with Germany, a group of citizens attack Krug. They are met with strong opposition from Krug and decide to leave him alone. Bill Tavish, his greatest opponent, becomes his closest friend and they travel the seas together as captain and first mate.
Filmmaker Joost van der Wiel's look at Nils Leidal, self-exiled but still active on social media, wastes an intriguing premise
Dominik Moll's queasy follow-up to Only the Animals is a sticky, damning indictment of the way men make the world less safe
Pierre Földes adapts the revered Japanese novelist to sometimes diverting effect, but the approach is frustratingly surface level
This self-aware and surprisingly charming take on the iconic tabletop game makes for gleefully geeky viewing
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
