Anne gets married, leaving the insecure Susan alone for virtually the first time in her life. A mild flirtation with a rabbi leads to a whole new life for Susan when she becomes a portrait photographer for Jewish weddings and bar mitzvahs.
Weill’s film is fittingly radical in the context of second-wave feminism, encompassing themes of women’s liberation, abortion, and a sprinkle of queer subtext.| Read in full: Girlfriends film review We Love Cinema
A little indie gem and lo-fi miracle whose emotional force catches you glancingly.The Guardian
Though it takes a while to find the right groove, this debut from Chilean director Francisca Alegrí locates some spectacular images
A French couple clash violently with the locals in this fascinating, though slightly sagging, new film from director Rodrigo Sorogoyen
Though there are a few nice ideas, this follow-up to the surprisingly good 2019 original is bogged down by the genre's worst instincts
The director's 1993 take on Wharton's novel positions upper class New York as a cutthroat world equal to those of his gangster films
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
