American car designer Carroll Shelby and driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary race car for Ford and challenge Ferrari at the 24 Hours of Le Mans in 1966.
Important Notice about Showtimes
After six years on the cinema scene, we’re sad to announce that WeLoveCinema will stop delivering showtimes and cease updating from Friday 4 August, 2023.
This wasn’t an easy decision, but we’re incredibly proud of what we achieved in that time, and are grateful for the experiences and opportunities that came our way.
[The film] doesn't push the boundaries of the biopic genre as much as it offers up a highly accessible, well-oiled machine with enough old-fashioned charm to carry it over the finish line.| Read in full: Le Mans '66 film review We Love Cinema
This is a standard-issue, middleweight biopic-type film, which comes complete with the now mandatory three factual sentences over the closing credits and the black-and-white photographs of the real-life people involved looking less attractive than the Hollywood stars who played them.The Guardian
[The film] excels at evoking the sheer thrill of the race - 'a body moving through space and time,' as one character says - and it’s compelling enough in those moments to make the case that nothing beats the thrill of competition.IndieWire
Even if you’re not a motorhead, chances are you’ll be thrilled by this high-velocity bromance, powered by zesty acting and Mangold’s meticulous direction.Empire
It’s a handsome, entertaining yarn – perhaps not one for the history books, but certainly enjoyable.Little White Lies
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
