August 7, 1974. A young French man named Philippe Petit stepped out on a wire suspended between the Twin Towers of the World Trade Center. He danced on this wire for an hour with no safety net before he was arrested for what has become to be known as the "artistic crime of the century."
Alejandro Loayza Grisi's debut explores intergenerational conflict and climate emergency through the story of two elderly farmers
Some fantastic environment and creature designs aside, poor pacing and a lack of jokes will leave parents and kids mostly bored
The director's first animated feature, a bold musical reimagining, is a spellbinding cinematic song of life, death and innocence
Emma Corrin impresses in Laure de Clermont-Tonnerr's sexually-charged take on the classic novel, though it fumbles the ending
As the month-long celebration kicks off again, Steph Green offers a pathway into the most morally murky of all movie genres...
The Macedonian-Australian director's bewitching debut feature is a Balkan fairytale that grapples with identity and humanity. Fedor Tot talks to the filmmaker ahead of its UK release
As the latest edition of the festival returns to the capital, Ella Kemp highlights some of this year's most essential features
To mark the release of Crimes of the Future, Steph Green sorts the body-obsessed auteur's vast filmography from worst to best...
