Lisa is moving out. Mara is left behind. As boxes are shifted and cupboards built, abysses begin to open up and an emotional roller coaster is set in motion. A tragicomic catastrophe film. A poetic ballad about change and transience.
Important Notice about Showtimes
After six years on the cinema scene, we’re sad to announce that WeLoveCinema will stop delivering showtimes and cease updating from Friday 4 August, 2023.
This wasn’t an easy decision, but we’re incredibly proud of what we achieved in that time, and are grateful for the experiences and opportunities that came our way.
The Girl and the Spider shows how the power of editing and staging can be used to create magic out of almost nothing. In the process, the Zürchers remind us of that core cinematic truth: where eyes go, we follow.| Read in full: The Girl and the Spider film review We Love Cinema
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
