A young boy, left without attention, delves into a life of petty crime.
Important Notice about Showtimes
After six years on the cinema scene, we’re sad to announce that WeLoveCinema will stop delivering showtimes and cease updating from Friday 4 August, 2023.
This wasn’t an easy decision, but we’re incredibly proud of what we achieved in that time, and are grateful for the experiences and opportunities that came our way.
Truffaut arguably left his biggest mark on cinema with this autobiographical grappling with his own adolescence.| Read in full: The 400 Blows film review We Love Cinema
When Truffaut freeze-frames on Doinel’s face at the very end, it shows him looking careworn and haggard for the first time: the freeze-frame has captured the moment at which the boy has become a man.The Guardian
The 400 Blows demolishes the barriers between autobiography and fiction, actor and character, performance and personality.Empire
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
