During her Christmas holidays with the royal family at the Sandringham estate in Norfolk, England, Diana decides to leave her marriage to Prince Charles.
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Larraín manifests Diana’s turbulent, inscrutable interiority into a living nightmare that validates her doubts and fears.| Read in full: Spencer film review We Love Cinema
The nightmarish absurdity of what Diana had to endure and her consequent unhappiness create something that looks as if it has been co-directed by former Sun editor Kelvin MacKenzie and Dario Argento.The Guardian
Both good and bad in surprising ways. Dire script, but Stewart brings it in the lead.Little White Lies
But at its most successful the film is a compelling picture of a troubled young woman in a hostile environment at the heart of the British state.Sight and Sound
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
