Yvan De Wiel, a private banker from Geneva, goes to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumours, who disappeared overnight.
Important Notice about Showtimes
After six years on the cinema scene, we’re sad to announce that WeLoveCinema will stop delivering showtimes and cease updating from Friday 4 August, 2023.
This wasn’t an easy decision, but we’re incredibly proud of what we achieved in that time, and are grateful for the experiences and opportunities that came our way.
The film, formally precise and highly confident for a debut, has a luxurious air, though its frames are tinged with a lingering sense of unease.| Read in full: Azor film review We Love Cinema
It is a film that continues to echo mysteriously inside my head.The Guardian
If complex fiscal mechanisms in the private banking sector is something that gets you hot, then you’re absolutely not going to want to miss this debut feature by Argentinian filmmaker Andreas Fontana.Little White Lies
Imagine if Graham Greene rewrote Apocalypse Now, replacing the jungle with the superb hotels, racecourses, ranches and gentlemen’s clubs favoured by the ruling Argentinian military junta of the early 1980s.Sight and Sound
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
