Widowed bureaucrat Mr Williams receives a diagnosis of terminal stomach cancer and seeks peace by personally championing plans for a children's playground.
What Hermanus achieves here, at times, feels nothing short of miraculous.| Read in full: Living film review We Love Cinema
Nighy is heartbreakingly shy and sensitive, his refined, almost birdlike profile presented to the camera in occasional stark and enigmatic closeups.The Guardian
Somehow more beautiful than anything could have suggested.Little White Lies
To dare to remake such a potent film is a dangerously audacious undertaking. But director Oliver Hermanus and his screenwriter, the novelist Kazuo Ishiguro, have brought it off.Sight and Sound
Though it takes a while to find the right groove, this debut from Chilean director Francisca Alegrí locates some spectacular images
A French couple clash violently with the locals in this fascinating, though slightly sagging, new film from director Rodrigo Sorogoyen
Though there are a few nice ideas, this follow-up to the surprisingly good 2019 original is bogged down by the genre's worst instincts
The director's 1993 take on Wharton's novel positions upper class New York as a cutthroat world equal to those of his gangster films
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
