Fueled by cheap whiskey, greed and hatred, Willie teams up once again with his angry little sidekick, Marcus, to knock off a Chicago charity on Christmas Eve. Along for the ride is 'the kid' - chubby and cheery Thurman Merman, a 250-pound ray of sunshine who brings out Willie's sliver of humanity.
Though there are a few nice ideas, this follow-up to the surprisingly good 2019 original is bogged down by the genre's worst instincts
The director's 1993 take on Wharton's novel positions upper class New York as a cutthroat world equal to those of his gangster films
First-time director Raine Allen-Miller's brilliantly infectious and funny rom-com brings the streets of south London to colourful life
Though structured in a rather uninteresting way, Lina Soualem's film shines in its interviews with her infectiously funny grandma
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
