Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn’t.
It is rare that a filmmaker arrives as fully formed as Charlotte Wells.| Read in full: Aftersun film review We Love Cinema
A subtle and complex investigation of post-divorce parenthoodThe Guardian
An ode to cinema as a machine for remembering.Little White Lies
There’s a deep, ephemeral sadness at the heart of Aftersun.Sight and Sound
Filmmaker Joost van der Wiel's look at Nils Leidal, self-exiled but still active on social media, wastes an intriguing premise
Dominik Moll's queasy follow-up to Only the Animals is a sticky, damning indictment of the way men make the world less safe
Pierre Földes adapts the revered Japanese novelist to sometimes diverting effect, but the approach is frustratingly surface level
This self-aware and surprisingly charming take on the iconic tabletop game makes for gleefully geeky viewing
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
