In the late 19th century, a young Danish priest travels to a remote part of Iceland to build a church and photograph its people. But the deeper he goes into the unforgiving landscape, the more he strays from his purpose, the mission and morality.
That austere, boxy screen looks like a window on to a vast, unfathomable world.The Guardian
There Will Be Mud. Much funnier than expected, amidst the harshness and tragedy.Little White Lies
The film is suffused with a sturdy, Protestant beauty.Sight & Sound
The Lock, Stock director stamps down on a lot of his usual flourishes for an earnest war movie about brotherhood and honour
The first entry since 2018 is one of the worst studio films in recent memory, a towering anti-blockbuster that's rotten to the core
The cult director's 1988 film brings his trademark subversiveness into the mainstream through its deft exploration of music history
With its haphazard structure and dull framing device, Annette Apon's biography of Leonie Brandt is made unnecessarily confusing
Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
