Chile, 1976. Carmen heads off to her beach house to supervise its renovation. Her husband, children and grandchildren come back and forth during the winter vacation. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.
Martelli nails the delivery of this story through an intrinsically female gaze.| Read in full: 1976 film review We Love Cinema
Writer-director Léa Mysius seamlessly blends the natural and the supernatural in this tragic love story starring Adèle Exarchopoulos
Though it takes a while to find the right groove, this debut from Chilean director Francisca Alegrí locates some spectacular images
A French couple clash violently with the locals in this fascinating, though slightly sagging, new film from director Rodrigo Sorogoyen
Though there are a few nice ideas, this follow-up to the surprisingly good 2019 original is bogged down by the genre's worst instincts
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
