Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods and imprisoned just as quickly Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.
It's so desperate for you to not dislike it that it never finds a compelling reason for you to feel anything about it.| Read in full: Black Adam film review We Love Cinema
Johnson’s massive bulk, planet-sized head and sly gift for deadpan humour all make him a great superhero.The Guardian
Dwayne Johnson and director Jaume Collet-Serra attempt to offer a grand unified theory of DC, mixing family-film tropes with a protagonist who straight-up murders people. The result is sometimes a mess, but it’s a generally entertaining one.Empire
Exactly what you’d expect. Only worse.IndieWire
Writer-director Léa Mysius seamlessly blends the natural and the supernatural in this tragic love story, starring Adèle Exarchopoulos
Though it takes a while to find the right groove, this debut from Chilean director Francisca Alegrí locates some spectacular images
A French couple clash violently with the locals in this fascinating, though slightly sagging, new film from director Rodrigo Sorogoyen
Though there are a few nice ideas, this follow-up to the surprisingly good 2019 original is bogged down by the genre's worst instincts
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
We've gathered up our most glowing reviews from this year's festival, from dynamic documentaries to dizzying debuts
To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Overrated hack or underrated auteur? Fedor Tot explores the twisty filmmaker's output to mark the release of Knock at the Cabin
