Genre-shifting director Kim Jee-woon comes to Cannes with a misfire about a filmmaker obsessed with reshooting his last movie
Japanese filmmaker Hirokazu Kore-eda takes a lighter look at a familiar theme with this heart-melting story of makeshift family
With Bong's second film re-released in UK cinemas, we look at how the Korean director took apart an ailing genre and paved the way for its more complex future
Bong Joon-ho's brilliant breakthrough - now re-released in UK cinemas - cleverly subverts the conventions of the serial killer film
Bong Joon-ho's acclaimed 2006 monster movie anticipated a future of fake news and murky "facts." Steph Green explores its relevance in today's pandemic-stricken world
This brilliant, genre-defying satire from South Korea is that rare thing: funny, disturbing, and unpredictable in equal measure