Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn
The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel
Mia Hansen-Løve changes lanes for a deceptively light romance about a woman, played by Léa Seydoux, dealing with love and loss
Writer-director Carol Morley’s latest dance with the unheard voices of the vulnerable is an acquired taste that’s worth championing
Though it falls short of its sublime predecessor, this grander and more complex sequel is still wildly funny and entertaining
Domee Shi’s feature debut is a highly personal, vibrant coming-of-age caper that sees its studio breaking new ground all over again
Despite its forceful lead performance, Phyllida Lloyd's film tries to tell a dark story in a light-hearted way and comes up short
Last week, the streaming giant revealed their most viewed original features. This week, we sort the woeful from the worth watching