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Related Reviews/Features
The Innocent review – 60s-inspired heist movie with an existential twist
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
The Beanie Bubble review – a grim new low for the “corporate biopic” genre
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Everybody Loves Jeanne review – thoroughly modern fable of grief, romantic confusion, and climate anxiety
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Oppenheimer review – relentlessly gripping and gargantuan account about the weight of genius
Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far
My Name is Alfred Hitchcock review – mischievous grappling with a legendary filmography
Mark Cousins takes a stab at the most famous director in history... by bringing him back from the dead to explain his own work
Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
20 Best Films of 2023 (So Far)
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Insidious: The Red Door review – horror sequel is more frustrating than frightening
Patrick Wilson makes his directorial debut with this fifth entry, but it's impossible to recommend to anyone other than completists