Harris Dickinson gives another sensational turn in writer-director Charlotte Regan’s stylish debut, a playful father-daughter story
Though it's no Knives Out, self-awareness and a fantastic Saoirse Ronan performance keep Tom George's ambitious debut compelling
Daisy Edgar-Jones is fatally miscast in an abysmal murder mystery that lacks believable characters or even a trace of tension
Ruben Östlund's outrageous follow-up to The Square is undeniably entertaining, but its ideas about wealth feel shallow and obvious
This masterful follow-up sees the return of Honor Swinton Byrne as Julie, a Hogg proxy on a mission to make sense of a tragic death
Matthew Vaughn takes the franchise back to World War I, but gets stuck in an awkward no man's land between silliness and sincerity
As the strangest of cinematic years draws to a close, our writers pick their favourite films, from unconventional biopics to essential docs
Henry Blake’s directorial debut is a relentlessly bleak affair, though it offers a powerful lead performance from newcomer Conrad Khan
The latest film from the French-Canadian wunderkind starts strong but ultimately gives you too little reason to care about its characters