To coincide with the release of Women Talking, Anna McKibbin explores the ethos behind the films of the acclaimed director
Romain Gavras's story of violent social rage is one of the most technically ambitious and proficient films of the year
Thomas Hardiman's murder mystery, set during a hairdressing competition, is technically impressive though lacks plausibility
Brett Morgen's David Bowie documentary eschews formulaic approach in favour of a vibey film that captures how he made us feel
Norwegian director Yngvild Sve Flikke’s sophomore feature spins a familiar premise into something quietly groundbreaking
Irish director Ruth Meehan’s charming debut fluctuates between dark and poignant without compromising its comic sensibilities
Edgar Wright proves himself to be the perfect match for a charming documentary about one of pop music's most enduring duos
The writer-director's latest thriller is his best in years, a meditation on ageing that is both ridiculous and entertaining in equal measure
As the director's novelisation of Once Upon a Time in Hollywood hits bookshelves, Hannah Strong reflects on his oeuvre so far...
Some political poignancy and striking imagery aren't enough to keep Elia Suleiman's latest film from being a bit of a slog