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Related Reviews/Features
Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Repertory Rundown: What to Watch in London This Week, From Bastards to The Big Sleep
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
You Can Live Forever review – compassionate performances save an overly predictable tale of first love
The Quebecois Jehovah's Witness community makes for an interesting backdrop in an otherwise familiar Canadian debut
Repertory Rundown: What to Watch in London This Week, From Bogdanovich to Buster Keaton
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Spider-Man: Across the Spider-Verse review – web-swinging sequel is out of this world
Joaquim Dos Santos, Kemp Powers and Justin K. Thompson’s audacious follow-up redefines the genre, and the form, once again
The Old Oak review – Ken Loach’s last film is classic Ken Loach, for better or worse
The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through
Inland Empire review – David Lynch’s nightmare fuel masterpiece returns to stalk cinemas
Few other films have ventured as far down the rabbit hole as this three-hour long avant-garde headtrip, now restored in gorgeous 4K
Asteroid City review – style over substance, and drier than a desert
Wes Anderson's latest retro foray is visually inspired, but too many characters and a formal stiffness always keeps us at arm's length
The Breaking Ice review – chilly exploration of malaise leaves you wanting more
The latest film from acclaimed writer-director Anthony Chen tells the story of three disaffected youths, but ultimately feels underdone
The Delinquents review – slow heist flick is equally funny and frustrating
Argentinian director Rodrigo Moreno's three-hour almost-thriller about a bank robbery delights and confounds in equal measure