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With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
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Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
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The debut from YouTubers-turned-filmmakers the Philippou brothers makes for sharp, bloody viewing, even if it runs out of steam
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Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far
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The Deepest Breath review – fascinating but muddled look at one of the world’s most extreme sports
Netflix's freediving doc features some astonishing footage of terrifying ocean descents, but its storytelling feels oddly cynical
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Though it conjures up some compellingly freaky ways to visualise internalised misogyny, there's more to irritate than intrigue
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Insidious: The Red Door review – horror sequel is more frustrating than frightening
Patrick Wilson makes his directorial debut with this fifth entry, but it's impossible to recommend to anyone other than completists