David Easteal's three-hour film, shot almost entirely from inside a car, makes mundanity into something genuinely profound
The Korean director, known for his personal, lo-fi efforts, delivers arguably his most minimalist work to date with mixed results
This Korean thriller tackles a remarkable true story with intelligence and style, but is too complex for its own good
Ryusuke Hamaguchi’s magical new film offers sharp social critique and gut-punch twists across three deceptivity simple stories
With the country still in lockdown, we highlight the best new streaming releases, from digital festivals to insightful docs
Ang Lee might have brought wuxia to the West, but it's Yuen Woo-ping's dazzling fight choreography that truly captivates, writes Kambole Campbell
As Disney's live-action remake fails to capture the essence of wuxia cinema, these movies provide a far better introduction to the genre
With Memories of Murder and Barking Dogs Never Bite both on re-release in the UK, we take a deep dive into Bong's films so far...
The Parasite director's first feature, now available for the first time in the UK, is a brilliantly weird social-curio about a dog killer
With Bong's second film re-released in UK cinemas, we look at how the Korean director took apart an ailing genre and paved the way for its more complex future