Dionne Edwards’ impressive debut is well directed and packed with wonderful performances, but fails to fully develop its Big Themes
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Patricio Guzmán’s multifaceted documentary about the 2019 mass protests in Chile makes for fascinatingly open-ended viewing
Wes Anderson's latest retro foray is visually inspired, but too many characters and a formal stiffness always keeps us at arm's length
Maïwenn directs and stars alongside Johnny Depp in a watchable but unremarkable film about Louis XV's favourite mistress
Though made with reverence, this doc about the Ripley writer lacks a clear point of view. For Carol stans, however, it’s unmissable
Writer-director Carol Morley’s latest dance with the unheard voices of the vulnerable is an acquired taste that’s worth championing
With gorgeous animation and a cracking ensemble cast, this sweet, funny follow-up is one of the year's most pleasant surprises
James Cameron's belated follow-up to his 2009 smash hit excels in its action sequences but is as narratively soggy as the original
Swedish-Costa Rican director Nathalie Álvarez Mesén explores female desire and emancipation using non-professional actors