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Related Reviews/Features
Oppenheimer review – relentlessly gripping and gargantuan account about the weight of genius
Christopher Nolan's epic take on the "Father of the Atomic Bomb" is a compulsive culmination of the director's career so far
Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
La Syndicaliste review – Isabelle Huppert powers a shockingly bleak true story of corruption
The case of Maureen Kearney makes for a fury-inducing, though oddly slow, paranoid thriller of intimidation and harassment
Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Repertory Rundown: What to Watch in London This Week, From Bastards to The Big Sleep
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Blood for Dust review – action-crime thriller gives us a career-best Kit Harington
The Game of Thrones actor stars opposite Scoot McNairy in this twisty tale of drug smuggling, set in the American Midwest
Repertory Rundown: What to Watch in London This Week, From Bogdanovich to Buster Keaton
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Unclenching the Fists review – sensitive and thoughtful coming-of-age story
Led by a superb central performance from Milana Aguzarova, this is a promising second feature from an up-and-coming filmmaker
The Zone of Interest review – evil is made matter-of-fact in Jonathan Glazer’s chilling Holocaust drama
The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel