August

Related Reviews/Features

The Innocent review – 60s-inspired heist movie with an existential twist

In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances

Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Blackbird Blackbird Blackberry review – visually striking and wonderfully acted Georgian midlife drama

Elene Naveriani's stylish third feature tells the story of a 48-year-old woman who begins to break down the barriers in her life

The Pale Blue Eye review – a flat literary origin story for Edgar Allen Poe

An enticingly snowy and spooky premise is wasted on an overlong, unsatisfying, and poorly acted murder-mystery from Scott Cooper

Pacifiction review – sunsets and secrets in Albert Serra’s enigmatic epic

Benoît Magimel plays a government official traversing a world of danger and conspiracy against the lush backdrop of Tahiti

1976 review – taut women-centric thriller pops with intrigue and colour

Actor-turned-director Manuela Martelli’s brilliant character study immerses viewers in the paranoid political landscape of 1970s Chile

Three Thousand Years of Longing review – George Miller’s latest is a crushing disappointment

Where the director's 2015 Mad Max sequel had a boundless, thrilling energy, this story about stories barely has any pep in its step

Official Competition review – art movie satire perfectly balances silliness and sincerity

Mariano Cohn and Gaston Duprat mix big laughs with formal ambition for a comedy that loves and mocks its subjects equally

Beast review – Idris Elba fights a lion to surprisingly thrilling effect

A schlocky premise - what if there was a lion? - makes for unpretentious fun thanks to impressive directing and slick pacing

Her Way review – French prostitution drama is insightful but goes nowhere

A refreshingly non-judgemental and business-focused look at sex work is let down by a dull plot and irritating characters