LB

Lisa Bor

Now Streaming

Related Reviews/Features

Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Beau Is Afraid review – no cure for childhood trauma in Ari Aster’s latest

The new nightmare from the Midsommar director is alternatively intense, chilling, and anxious, though is let down by a laggy middle

Dmytro Sukholytkyy-Sobchuk on Pamfir: “When Russia invaded, my film became historical”

Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war

Riotsville, U.S.A. review – extraordinary archive doc lays bare the riot-torn 60s

Sierra Pettengill explores the history of police violence to counter civil unrest, probing the status of images as material memories

What’s Love Got to Do with It? review – generic and charmless culture clash rom-com

Shekhar Kapur's London-set film clearly wants to emulate the Richard Curtis classics, but it can't even get the basics right

Manodrome review – a dark foray into the ouroboros of toxic masculinity

Jesse Eisenberg is brilliantly cast against type in a fascinating, flawed thriller with too many moving parts to do its subject justice

You Hurt My Feelings review – dysfunctional family dramedy can’t bring the laughs

Nicole Holofcener’s low-key look at the lies we tell each other to get by strays from universal comedy into far too niche territory

Girl review – Glasgow-set mother-daughter story is classy and ambitious

This sombre and surprisingly stylish debut from British filmmaker Adura Onashile skilfully explores notions of family and seperation

Hidden Gems of 2022: 30 Films You Might Have Missed

From eye-opening documentaries to intimate dramas, we highlight the films that might have slipped beneath your radar this past year...

Empire of Light review – empty ode to the movies fails to project anything meaningful

Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills