Lang Ping

Related Reviews/Features

Iraq’s Invisible Beauty review – moving but scrappy look at a photographer and his flailing home country

As a tribute to pre-'80s Iraq, Sahim Omar Kalifa's doc is a touching affair, but it's hampered by dry exposition and terrible narration

Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Repertory Rundown: What to Watch in London This Week, From Cairo Station to John Cassavetes

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Last Summer review – Catherine Breillat plays it safe with this illicit stepmother-stepson love affair

Known for her taboo erotic dramas, the director's remake of 2019’s Queen of Hearts fails to make up its mind on what it wants to be

Anatomy of a Fall review – Sandra Hüller is the elusive soul of this extraordinary legal drama

Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn

Monster review – robust and empathetic excavation of teenage life

Hirokazu Kore-eda's latest blends melodrama and psychodrama as a mother attempts to understand her son's strange behaviour

Repertory Rundown: What to Watch in London This Week, From Raimi to Rio Bravo

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Renfield review – Nic Cage can’t save this bloodless revamp

The infamously OTT actor fails to leave a mark in an uninspired take on the Dracula story that squanders all the potential of its set-up

Godland review – exquisitely poetic story of colonial folly

Writer-director Hlynur Pálmason sets out in the tradition of Herzog with this visually rich tale of a priest's ill-fated Icelandic expedition