Dionne Edwards’ impressive debut is well directed and packed with wonderful performances, but fails to fully develop its Big Themes
Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn
The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel
Though there are three great dance numbers here, their joy and verve is smothered by the downright boring story surrounding them
As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters
Though it falls short of its sublime predecessor, this grander and more complex sequel is still wildly funny and entertaining
Domee Shi’s feature debut is a highly personal, vibrant coming-of-age caper that sees its studio breaking new ground all over again
Kogonada’s second feature is an exquisitely acted, low-key drama that makes the technical into something distinctly human
Lin-Manuel Miranda’s directorial debut is a vibrant, heartfelt ode to Rent composer Jonathan Larson, hinged on a brilliant lead turn
Jeanette Nordahl's gritty crime thriller shows great promise, but exasperating characters keep it from reaching its full potential