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Dionne Edwards’ impressive debut is well directed and packed with wonderful performances, but fails to fully develop its Big Themes

Justine Triet's brilliantly slippery, serpentine film, about a writer accused of murder, hinges on a remarkably unshowy lead turn

The fourth film by the British director is a deeply disturbing and suffocating look at complicity, loosely based on Martin Amis' novel

Though there are three great dance numbers here, their joy and verve is smothered by the downright boring story surrounding them

As another year draws to a close, our writers choose their favourite films, from daring debuts to boundary-breaking blockbusters

Though it falls short of its sublime predecessor, this grander and more complex sequel is still wildly funny and entertaining

Domee Shi’s feature debut is a highly personal, vibrant coming-of-age caper that sees its studio breaking new ground all over again

Kogonada’s second feature is an exquisitely acted, low-key drama that makes the technical into something distinctly human

Lin-Manuel Miranda’s directorial debut is a vibrant, heartfelt ode to Rent composer Jonathan Larson, hinged on a brilliant lead turn

Jeanette Nordahl's gritty crime thriller shows great promise, but exasperating characters keep it from reaching its full potential