Sam Wood
Related Reviews/Features
The Beanie Bubble review – a grim new low for the “corporate biopic” genre
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
20 Best Films of 2023 (So Far)
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
The Wicker Man review – still the definitive experience in folk horror
Robin Hardy's iconic nightmare is back for its fiftieth anniversary, reaffirming its status as a singular entry in the horror canon
The Old Man Movie: Lactopalypse! review – berserk stop-motion comedy is a laugh riot
This absurdist Estonian animation from Mikk Mägi and Oskar Lehemaa makes for a maddeningly immature and hilarious ride
The Old Oak review – Ken Loach’s last film is classic Ken Loach, for better or worse
The director's alleged "final" movie is another heavy-handed revolt against modern Britain, but its optimism eventually wins through
Indiana Jones and the Dial of Destiny review – serviceable sequel is digging in the wrong place
Though it has its moments, James Mangold's bid to recapture the franchise magic mostly feels like an act of imitation over inspiration
Inland Empire review – David Lynch’s nightmare fuel masterpiece returns to stalk cinemas
Few other films have ventured as far down the rabbit hole as this three-hour long avant-garde headtrip, now restored in gorgeous 4K
Jeanne du Barry review – surprisingly tame period drama is tasteful to a fault
Maïwenn directs and stars alongside Johnny Depp in a watchable but unremarkable film about Louis XV's favourite mistress
Dmytro Sukholytkyy-Sobchuk on Pamfir: “When Russia invaded, my film became historical”
Adam Solomons talks to the Ukrainian director about his Cannes hit and how even a non-political film can be bastardised by war