Streaming Review

The Voyeurs review – Sydney Sweeney has a room with a sexy view

The Euphoria actor stars alongside Justice Smith in a watchable - and refreshingly erotic - riff on Rear Window

A sleek and spacious Montreal apartment is the setting for Hitchcock-inspired erotic throwback The Voyeurs, the kind that will quickly have you asking: “Well, how the hell can they afford to live there?” The film's young couple, Pippa (Sydney Sweeney) and Thomas (Justice Smith), have traded fiery passion for a sense of comfort. She puts on lingerie, only to find he’s fallen asleep. It doesn’t help that they can see right into the apartment across the street, where another couple – a photographer and a model – have sex in plain sight.

For a while, the film plays to the usual beats of obsessive voyeurism glimpsed in the likes of Rear Window and Brian De Palma’s own Hitchcock riff Body Double. Until it doesn’t. The twists, when they inevitably come, are outlandish to the point they're likely to invoke a verbal cry of disbelief – though implausible enough that we doubt we should have taken any of this seriously in the first place. The wavering tone doesn’t help to clarify the mood, but there’s just enough self-awareness and neat table setting on display to make the whole exhibition worthwhile (this is, admittedly, a 90 minute movie running at almost two hours).

Those lamenting the lack of sex in the movies these days will find this to be a salacious antidote to the sanitised multiplexes. Director Michael Mohan doesn’t skimp on the nudity and builds tension through sequences hinged on the slow removal of clothing. Sweeney is more than willing to play ball. Her blend of sexual curiosity and naivety makes for a sizzling combination. Yet one can't help but wonder whether all this might've played better had the leads been fed-up in their thirties instead of gorgeous twenty-somethings who seem far too young to be this bored with life.

The Voyeurs is now streaming on Amazon Prime Video.

Where to watch

More Reviews...

The Innocent review – 60s-inspired heist movie with an existential twist

In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances

Baato review – Nepal’s past and future collide in an immersive, fraught documentary

A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world

The Beanie Bubble review – a grim new low for the “corporate biopic” genre

With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity

Everybody Loves Jeanne review – thoroughly modern fable of grief, romantic confusion, and climate anxiety

Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat

Features

Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

20 Best Films of 2023 (So Far)

With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs

Repertory Rundown: What to Watch in London This Week, From Mistress America to The Man Who Wasn’t There

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital