A story of Naoufel, a young man who is in love with Gabrielle. In another part of town, a severed hand escapes from a dissection lab, determined to find its body again.
Important Notice about Showtimes
After six years on the cinema scene, we’re sad to announce that WeLoveCinema will stop delivering showtimes and cease updating from Friday 4 August, 2023.
This wasn’t an easy decision, but we’re incredibly proud of what we achieved in that time, and are grateful for the experiences and opportunities that came our way.
An almost Malickian longing to understand the strange inner workings of the universe drives this stunning and poignant animated film about a severed hand trying to reconnect with its owner.| Read in full: I Lost My Body (J'ai Perdu Mon Corps) film review We Love Cinema
It’s that rare cinematic experience whose every second feels like a discovery, as Clapin and co-writer Laurant invent an entirely new kind of mystery, one in which the entity doing the detective work - you’ve heard of private eyes; well, here we have a private hand - can’t speak, and the ensuing missing person investigation turns out to be a search for, well, himself.Variety
An animator whose style falls somewhere between mid-Nineties anime and vintage Ralph Bakshi, Clapin has an incredible sense of both visual wit and the surreal - a scene of ants attacking our metacarpal friend is both a nightmare in miniature and a sly Buñuel in-joke - and knows how to pace his pathos.Rolling Stone
In its swift, endearing 80 minutes, French animator Jérémy Clapin’s first feature packs in romance, action, body horror and a surreal road-movie odyssey.Sight & Sound
In his fourth feature film, writer-director Louis Garrel explores with wit and tenderness the risk and worth of second chances
A mountain trek intertwines with a road-building project, granting incisive, if underpowered, insight into a much underseen world
With none of the saving graces of Tetris, Air, or Barbie, this ambition-free look at the Beanie Baby craze is pure mediocrity
Celine Deveaux's French-Portuguese debut can be too quirky for its own good, but a fantastically written lead character keeps it afloat
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
With the year at the halfway point, our writers choose their favourite films, from daring documentaries to box office bombs
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
