Pete Best
Related Reviews/Features
Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron
From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital
Elemental review – Pixar’s first real love story is charming but a little derivative
Though hardly the studio's best, it feels like a step in the right direction – partly thanks to Mamadou Athie's brilliant voice work
The Graduates review – quiet school shooting drama is searingly powerful
Hannah Peterson's deft, heartbreaking debut film explores trauma through the perspectives of three people touched by tragedy
Guy Ritchie’s The Covenant review – Afghan war thriller brings recent headlines to exciting life
The Lock, Stock director stamps down on a lot of his usual flourishes for an earnest war movie about brotherhood and honour
Guardians of the Galaxy Vol. 3 review – a perfect ending for Marvel’s goofiest superheroes
Writer-director James Gunn stays true to himself while delivering a quirky, action-packed, and shockingly emotional sign-off
Repertory Rundown: What to Watch in London This Week, From Fellini to Fritz Lang
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She Came to Me review – bizarrely watchable dramedy struggles to find the right note
Rebecca Miller's new film is a strangely engaging but tonally inconsistent ensemble piece about a washed-up New York composer
Unwelcome review – much-delayed Irish horror finally lands with a bit of a thud
Despite some brilliant Gremlins-esque puppet work, Jon Wright's film wastes too much time on a sub-Straw Dogs plot
Stream With a Theme: The Best Rural Horror Films Set in Britain
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Empire of Light review – empty ode to the movies fails to project anything meaningful
Sam Mendes' first film as writer-director proves misguided, failing as both a love letter to cinema and as an exploration of societal ills