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Related Reviews/Features

Repertory Rundown: What to Watch in London This Week, From Little Women to Sergio Leone

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Repertory Rundown: What to Watch in London This Week, From Coppola to Cross of Iron

From classics to cult favourites, our team highlight some of the best one-off screenings and re-releases showing this week in the capital

Mother and Son review – an intimate family epic that feels beautifully real

Leonor Serraille's gorgeous new film, about an Ivorian family in France, balances a grounded tale with splashes of the surreal

Killers of the Flower Moon review – Scorsese’s American epic compels but never quite blossoms

This hugely ambitious take on David Grann's non-fiction book is engaging and well-made, but it's lacking the director's usual spark

Dmytro Sukholytkyy-Sobchuk on Pamfir: “When Russia invaded, my film became historical”

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Afire review – creation and climate change in Petzold’s gorgeous, funny drama

Four people are confined to a seaside house in the German filmmaker's quietly apocalyptic mystery about artistic anxiety

Dead for a Dollar review – Walter Hill’s empty homage to Sergio Leone

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Master Gardener review – Schrader’s horticulturist thriller is stylish but culturally crude

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I Was Born to Be a Mother: Jennifer Garner and Juno

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Fisherman’s Friends: One and All – mostly pointless sequel elevated by its lead performance

James Purefoy completely outshines both his castmates and the script in this kitschy follow-up to the 2019 music dramedy