
Aftersun review – father-daughter holiday dramedy is a sun-kissed gem
This nuanced look at parenthood, with Paul Mescal, announces its debut director Charlotte Wells as a major talent right out of the gate
This nuanced look at parenthood, with Paul Mescal, announces its debut director Charlotte Wells as a major talent right out of the gate
Blending drama and comedy to mixed effect, Maha Haj explores the Israeli-Palestine conflict through the story of one man's depression
This heartfelt ode to life on the water from writer-director Alex Camilleri is as stoic in its execution as it is observant
Revered French filmmaker Claire Denis delivers a baffling and unerotic adaptation starring Margaret Qualley and Joe Alwyn
The director returns to the realms of body horror with this strange and oddly sexy vision of a world defined by bodily transformation
The Dardennes' latest is a bare and brutal slice of social realism about two migrants who pass themselves off as brother and sister
Jessie Buckley stars as a tortured woman plagued by multiple Rory Kinnears in a film that's just too allegorical for its own good
British filmmaker Mark Jenkin returns with an experimental throwback that is as incoherent as it is formally inventive
Ruben Östlund's outrageous follow-up to The Square is undeniably entertaining, but its ideas about wealth feel shallow and obvious
Emily Watson and Paul Mescal are mother and son in this strange, almost-thriller about a lie with terrible consequences
Anne Hathaway and Anthony Hopkins star in this languid semi-autobiographical drama about a Jewish family in '80s New York
The Phantom Thread star delivers a brilliantly mischievous turn in writer-director Marie Kreutzer’s subversive period drama
Systemic racism and white entitlement fuel Carey Williams's gripping dramedy about a Black friendship stretched to the limit
With hard-to-like characters and limited emotional reward, this polemical Israeli satire often feels like being yelled at by a stranger
Stunning scenery can't save a dull and airless adaptation from co-directors Felix Van Groeningen and Charlotte Vandermeersch
Though it doesn't quite land a satisfying conclusion, this is a chilling and uncomfortable piece of work from director Eskil Vogt
This follow-up to the 1986 classic surpasses all expectations, a slickly drawn adrenaline hit that reaffirms Tom Cruise's star status
The Martin Eden director's latest, a tender adaptation of an Aleksandr Grin short story, is a film of simple, lyrical pleasures
Judged on its own merits, Michel Hazanavicius’ One Cut of the Dead redo is charming and fun – but you're better off with the original
Great performances and rich atmosphere can't draw attention away from this film’s muddied sexual assault plot
Terence Davies delivers another immensely personal lament, based on the life of English soldier and war poet Siegfried Sassoon
Andrew Dominik reunites with the Australian singer-songwriter for a documentary that is both intimate and epic in equal measure